šŸ“ŗ GOOD SHOWS (no capeshit pls)

Ash vs Evil Dead is fucking awesome, going by the pilot. Directed by Sam Raimi himself, it has lost nothing, and arguably gained much in its transition to television. I’m a huge fan of the original movies, and while I love our ending of Army of Darkness, when Ash ends up in a destroyed England far into the future, it is great to see the slimy old bastard back.

Bruce Campbell just owns the the role of Ash now. The show hits all the right notes. Funny, genuinely scary, and not a cop out in any way. There’s blue language, gratuitious sexual scenes, graphic violence and the superb direction of Sam Raimi.

The show has a wider scope than any of the movies did - with events happening all over the shop, and other characters having encounters with the newly risen Deadites. If it maintains this quality, I’m all in. If you liked the films, it’s a no-brainer.

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Fargo series 2 Channel 4 - top TV :lou_lol:

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That is a fun show! Tks for recommendation, I watched this show and found it to be a Fun Show!

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My latest fav is Catastrophe. Usual premise, couple meet, shag, she gets pregnant and they decide to make a go of it. It is mucky and irreverant and strips any element of romance out of holding down a relationship whilst bringing up children, right up my street.

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I caught a new show, and it is very early days, but I think it could be A Good Show, obviously adopting Bear’s excited Camel Case whitespace-delimited style.

It is called ā€œInto The Badlandsā€, and is probably best understood as Far Eastern feudalism meetng plantation America, an unspecified amount of time into the future, with a lot of martial arts. Set after a global, paradigm changing war that no-one living can remember.

It’s Sarnia Saint’s nightmare, basically. Guns in the US are outlawed; everyone is going about with knives and swords, slicing each other up in bloody martial arts contests, the best of these known as ā€œclippersā€. They serve barons, who’ve got the same role as nobles in the feudalism system.

The martial arts stuff is very good, and the central story, though well trodden, looks like it’s got the characters and actors to pull it off.

Rob Delaney walked by me the other day. Also enjoy the show too.

Gf & I love this. Has me howling with laughter.

Also really enjoying the new series of Fargo.

Just watching catch up now on epsode 5… a new classic line;

ā€˜If you get the chance, ask him if its true that Joan Crawford had crabs’’

pause

ā€˜yea…I’m not going to do that’’

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Last 2 episodes of Fargo have been fucking sublime - there’s not a weak character or plot element on the show.

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Yeah I had doubts about series 2 initially. It often goes bad with that many names in one thing, but yeah, it’s cracking.

I too had my doubts about a TV version of Fargo, being a big fan of the movie and The Coens. They have exec producer credits but have no creative input apparently. It could have been a awful pastiche of the original film but the guy behind it, Noah Hawley has nailed it.

It’s the best thing on TV by a long way.

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One of the benefits of not being able to make the football today is that I will have more time to binge on Jessica Jones, the new series from Netflix which is set in the same universe as the recent (and I thought excellent) Daredevil.

Already got some very decent reviews on Metacritic. Will check in later with my own thoughts.

Been watching The Last Kingdom. It is ok but very similar to Vikings. Bernard Cornwall was very critical of GoT and said there was too much going on. Well Bernard me old mucker that is why it is so good. It is multidimensional with all kinds of story arcs that come and go like real life. The Last Kingdom as the usual premise of the hero being something of a rebel and surviving against all the odds. Usual fair. Where GoT excells is that it is not afraid to kill off main characters and throw you several curve balls. Take note for your next book Mr Cornwall. If GoT had done Sharpe he would have been killed by the third episode and other characters would have had to take the story on. No bad thing.

The Blacklist is also worth a watch, if only for James Spader. They seem to have ramped up the gore factor in this series too if you like that kind of thing.

Agree with The Last Kingdom SOG, the BBC really don’t have the budget to be doing these dramas. Even with co-production with US companies. It just looks poor in comparison now to Game of Thrones etc, people get used to expecting cinematic production on TV There’s a great historical story there, just not a long haired guy trotting around the New Forest.

The Bridge Series 3 BBC 4 this evening 9pm satrts tonight - first 2 series were excellent so shouldbe good

Managed to catch quite a bit of Jessica Jones yesterday, the next of Netflix’s series set in and around the Hell’s Kitchen area of New York. I’ve never read the comic before, so I was both at an advantage and disadvantage to this adaptation. I knew quite a bit of the Daredevil universe, knew who the major players were, so I spent much of that series box-ticking. Does he have the right power set? Are they making compromises for the adaptation? Are they massively deviating from the source material? With the exception of killing off one of the main supporting characters in DD’s world, I had no real complaints. It is nice to be watching a show without having to do that.

Jones, played by the quirkily lovely Krysten Ritter, is a powered individual that ā€œdoesn’t hide, doesn’t advertiseā€ in relation to her abilities. She’s physically strong, but not that strong.

ā€œCan you stop a moving car?ā€

ā€œI can stop a slow-moving carā€

…is about the size of it. She makes her living collecting dirt on cheating spouses, and brings a few of her skills to that profession. She’ll jump 40 feet in the air to hit a fire escape for a good shot. She’ll break padlocks and bust doors with her bare hands.

Now if any of these powers sound understated or underwhelming, I think it’s because they’re meant to be. The other powered people in the show are similarly simplistic. Minor spoilers, but Jones very quickly runs into Luke Cage, someone that’ll soon have his own Netflix series. His super-power is simply being unbreakable.

The other power of note is Killgrave, the show’s chief villain, who can simply get people to do whatever he wants. David Tennant inhabits this role with a sense of indifferent menace, continuing to make a complete mockery of Christopher Ecclestone’s statement that doing more than a season of Doctor Who would make you typecast. Since leading the TARDIS, Tennant has done some very decent stuff, doing a broad range of acting. He brings a chilling immediacy to his powers. He’s the sort of bastard that’ll just tell someone in the street to throw coffee in his face, then not even bother to look as the guy self-scalds.

Jessica herself is a great character. Fiercely independent, but not doing particularly well at that, drinks a lot of liquor and has little time for smalltalk. She’s extremely perceptive and resourceful, and not afraid to bung some scruples in the bin to get what she needs. She tries to leverage both sides of an acrimonious lesbian divorce to achieve larger, more altruistic objectives.

She also has a lot of sex. If Bear were to watch this show, he may be inclined to review it as such.

ā€œJessica Bones! 11/10! :stuck_out_tongue_closed_eyes: :stuck_out_tongue_closed_eyes:ā€

So far, I don’t think I’m too far off the Metacritic score of 8/10. Like Daredevil before it, the makers know that people are going to watch it in a big block; it seems made for that format. The arc is all-important; the individual punch of each episode somewhat less so.

Cheers pap. Can you let me know where the sexy bits are so I can skip through all the comic book story bollocks?

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:lou_angry: Marvel and it’s cursed ā€œcanonā€ is a bigger threat to Western culture than ISIS.

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